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God said, "Let there be Barcelona," and thus He sent Gaudí.

God said, "Let there be Barcelona," and thus He sent Gaudí.


Antonio Gaudí, a genius architect in Spanish history, created buildings that are not only poems woven from stone and light, but also odes to nature and faith.

Today, Barcelona is hailed as the "City of Gaudí". Wander its streets, and it feels as if every step lands on the architectural codes he left behind.


Perhaps, by some invisible design, Gaudí’s life was destined to be intertwined with Barcelona. Looking back on his early years, everything fate bestowed upon him—and stripped away—shaped him into an architectural prodigy: the era he was born into, his fragile health, his reclusive temperament, his impoverished life, the inspiration drawn from nature, and his innate talent for painting. Back then, it was as if the entire city of Barcelona had been waiting—waiting to be bathed in eternal glory by this architectural genius.
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The Sagrada Família, built in the shape of a Latin cross, features three facades. Adorned with elaborate decorations and sculptures, these facades fully depict the life of Jesus, from his Nativity and Passion to his Glorification.

The Nativity Facade narrates the biblical stories surrounding the birth of Jesus. With its smooth, flowing lines and vivid decorative details, the entire facade exudes an atmosphere of joy wherever the eye rests. The cloisters on either side of this facade are the only parts completed during Gaudí’s lifetime. Given the predicament that construction funds relied solely on donations, and faced with such a colossal project, Gaudí must have known that he would never witness the full completion of the Sagrada Família in his lifetime. It is for this reason that he poured countless efforts and innovative ideas into the design of the cloisters.


Complementing the ornateness of the Nativity Facade is the simplicity of the Passion Facade. Gaudí himself drew the complete design for this facade during his lifetime. Structured around sharp, angular skeletons as supports, it conveys a sense of solemnity and awe, embodying the agony of Jesus’ crucifixion and inviting profound reflection.
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The interior design of the Sagrada Família differs sharply from its narrative exterior style. Stepping inside, one is immediately drawn to countless tall columns that branch out upwards, like entering a deep forest. Unlike traditional Gothic churches, which rely on surrounding walls for support, the Sagrada Família is upheld by a "forest of columns," with different materials used based on load-bearing needs: the tallest and sturdiest columns in the nave are red porphyry, flanked by granite and basalt, and limestone on the outermost side.
Known as the "Temple of Light," the Sagrada Família is bathed in a brilliant world of light and shadow when sunlight filters through its stained glass. Unfortunately, it was overcast during my visit, with dim light and a somber interior. The space formed by the columns on both sides felt more like a deep valley than a forest. As I stood there reflecting, a Bible verse came to mind: "Even though I walk through the darkest valley, I will fear no evil, for you are with me." Gazing up at the towering dome and dense columns, I felt fearless and full of strength.
The Sagrada Família is such a powerful space, where nature and faith inspire reflection and emotion—that is its true charm. Everyone feels differently within it, just as people perceive nature in their own ways. Nature was Gaudí’s source of inspiration for the Sagrada Família; he firmly believed all things came from nature, and thus integrated nature’s features and revelations into the building.
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.The roof is the highlight of Casa Milà. Its undulating terrace surges like ocean waves, and the chimneys—shaped like otherworldly beings or medieval armored warriors—exude an air of mystique.


Legend has it that Mrs. Milà loathed these soldier-like chimneys, finding them hideous, and refused to let Mr. Milà pay Gaudí. The dispute ended up in court, where Gaudí won the case, forcing Mr. Milà to settle the design and construction fees reluctantly. This shows that innovative works are not always embraced by mainstream aesthetics immediately, yet their value endures, their vitality thrives, and they will eventually transcend time to be understood and recognized by the world.
What touched me most during my stay at Casa Milà was that Gaudí’s mind was completely free from the constraints of established standards or rules. He was not bound by fixed procedures or norms; there was no "what should be" in his design philosophy, only "what could be imagined".

The interior of Casa Milà discarded the conventional structural designs accepted as standard in the architectural field. Instead, it adopted frameworks modeled after animal skeletons, spines and wings, brimming with vigorous vitality and profound reverence for nature. Being inside feels like exploring the body of a giant beast, with waves of excitement surging within you at every unexpected delight.
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Having traveled here, I have been searching for the hidden codes in Gaudí’s architecture all along. At this moment, I am sitting on a bench carefully designed by Gaudí in Park Güell, facing the Mediterranean breeze and basking in the bright sunshine of the Iberian Peninsula. Looking around, I see colorful lizard-shaped fountains, snake-headed water conveyance devices, elephant-leg-like columns, and countless plant patterns crafted from mosaic tiles everywhere… These elements either imply religious meanings or represent ethnic culture, collectively showcasing the boundless magic and all-encompassing grandeur of nature.

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Gaudí devoted more than forty years of his life to the Sagrada Família. On June 10, 1926, he was struck by a tram while hurrying to the construction site of the basilica. So absorbed was he in the building’s construction that he did not even notice the approaching vehicle. Gaudí ultimately passed away in the hospital. Thousands of Barcelona residents attended his funeral—they had lost an architectural genius, a pride of Spain.


He once said, "My client (God) is in no hurry." Perhaps he himself was not in a rush to complete the Sagrada Família either—for the basilica was Gaudí’s profound devotion to God and faith, a devotion that will endure for all eternity.


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The Signature of a Master | Tadao Ando: Forging a Life Through Concrete and Light
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